Training the Singing Voice - online book

An exploration of the theories, methods & techniques of Voice training.

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ORIENTATIONS
7
garding identical facts. [Shaw 543] The teacher's lack of information is usually camouflaged by high-sounding phrases that "almost never mean anything to the student." [Redfield 462, p. 265 and p. 280; Scott 501, Foreword] "The ground is overrun by empiric theories . . . tone is wor­shipped as a fetish and confusion of doctrine prevails." [Davies 127, p. 75]
NEED FOR SYSTEMATIC TEACHER TRAINING
15.  Many teachers of singing lack scientific or scholastic training. There is a dearth of thoroughly trained teachers. [Fellows 176] Teachers who are content with empirical knowledge often object to the scientific reports of others when they receive them. [Smith 567] "Specialists [in voice] too often remain ignorant of relevant facts in closely related fields." [Bartholomew 57] Authors of so-called singing methods are woe­fully ignorant regarding modern acoustical research. [Drew 147, p. 134]
16.  Good singers often lack ability as teachers. "Many who are them­selves good singers . . . make poor teachers of singing." [Wodell 681] Even the distinguished artists often "do not know how to explain them­selves lucidly." [Herbert-Caesari 268] Great artists are seldom great teach­ers because they seldom know why they sing perfectly and why certain vocal deviations are disastrous. [Dossert 140, p. 16] This is especially true of so-called "natural" singers. [Henley 261] The great singer, preeminent in his art, but woefully lacking in scientific background, often presumes to offer instructions in the most scientific aspects of vocal anatomy, physi­ology, psychology and physics. Would that he were better equipped to ex­press himself in accurate scientific language. [Drew 147]
17.  Good teachers often lack ability as singers. "Out of every hundred persons who teach singing today . . . [there are] two who really know how to sing." [Frances Alda 6, p. 294]
PROFESSIONAL INSTABILITY
18.  Lack of teaching standards. Vocal teaching methods and proce­dures are often haphazard, perfunctory, unscientific and even cabalistic. "Such teaching is apt to spell the ruin of a good voice." [Capell 92] If there are nearly as many methods as teachers it is because there is hardly any agreement among singers or teachers as to a standard, trustworthy method of singing. [Samoiloff 484, p. 5] "Every teacher has his own method." pDunkley 151, Preface] Conflicting methods and theories abound in the teaching of singing. [Hill 272, p. 53] Vocal teaching is less exact than any other branch of musical education. [Dossert 140, p. 11]
19.  Lack of regulation of teacher qualifications. Charlatanry is quite